这版贝拉有某种邪魅又自主的气质最后一幕野兽变王子（国王）科克托的镜头语言比较朴素和传统节奏很松散但想象力却很惊人有一种舞台剧的风格独自上路的父亲在气氛神秘的森林里迷失方向贝拉落下的眼泪变成钻石戴上野兽的手套后预见了丢失的钥匙和死亡的命运这个地方的呈现很奇妙直接用了场景的置换/转换闯入者（贝拉的追求者）被箭射死后化作野兽的一幕《电视剧护国大将军》也是同样奇妙的“你长得很像我认识的一个人但我爱的是野兽”贝拉的坚定、反叛、真诚和善意让悲剧故事转化为童话也呼应了开场的咒语’once upon a time’这是孩子们都会坚信不疑的情节也应该是大人们所期待的电影本该有的纯真模样
Jessie刘卷卷:123.233.241.242
i think i get it / But when you see the future and you change it, it can't be called future, is it? Kind of like paradox / So as long as you keep changing, the future you see is not your future, it's more like one new life after another / Am i correct? i don't know
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