Félicie 的那句「妖湄」莫名地在我耳邊迴響了好久（直譯就是令花瓶裡的水溢出的最後一滴水相當於英語中的the last straw that broke the camel’s back）在讓人疲累的戀愛裡遇到那些令人絕望、心灰意冷的瞬間時就該像 Félicie 那樣把它們視作令關係破裂的dealbreaker然後一走了之另不管是通過電影還是日常的交流接觸我都越來越清晰地發現法蘭西民族對於人類情感的細膩性、複雜性、至高性的認同與探索或許真是其他民族在當下時代難以企及的換言之他們更懂得如何將情感分類處理複雜的情緒理解並化解內心的矛盾與分歧更「舒淇大胆人体艺术」
滚滚歪歪:36.61.153.85
真的好可爱哦 mulaney&samberg&the lonely island rules!!!!!!!
雁回小甜心:222.29.141.190
看得我汗毛倒竖头皮发麻看1/2以为哪里外来的现实扭曲者敢来地球撒野妖湄也不看看是谁的地盘看完才知道扭曲现实的是神之子们就是我们的贪嗔痴慢疑生造出的地狱现前把地球弄得乌烟瘴气乱七八糟we are not ready当我们准备好我们就会记忆起我们遗忘的能力然后we will manifest the best in usthis is the greatest gift of mankind,imagine what you will and you can have it
峠峠:123.235.47.196
Querying the social system. Emphasising humanism under capital punishment. Kieslowski can always catch the emotion by shoot and filter. 2 impressive scenes: Jack killing the taxi driver. The horror was catched；Jack executed by punishment. The helplessness was catched.
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