The different universes and atmospheres created by David Lynch always show a strong level of originality, as if the director was focused on creating something radically unique - a delicate balance of opposites, at the frontier of underground ultra-violence & perversion and heart-warming & simplistic vintage feelings. Freud meets Disney in heartland America. In trying to preserve such an ambitious equilibrium, Lynch does miss the mark at times. While Twin Peaks succeeded with absolute perfection in creating a heavenly space-time recently scourged by evil forces, Wild at Heart mixes the genres and styles in confusion, committing a “faute de goût" both in terms of aesthetics and script
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原来拼接一镜到底这种技法希胖这么早就玩过了但其实今日很多人都玩得不如希胖男人下面硬起来视频特别有种为炫技而玩不知道目的何在的感觉(说的就是那个墨西哥人)希胖的玩法高度配合叙事在这里贯彻他关于”悬疑就是告诉观众将要爆炸的炸弹就在桌下“的理论假一镜到底营造的时空连贯错觉配合stretch the suspense直到其无法承载的临界点;‘悬疑炸弹’的时空同步也左右观众对每一处人物互动的解读直引导观众聚焦对话和肢体语言的细节在后一点上相对简约直观的时空场景也确保画面不会信息过载;最后一幕以高饱和打光映照角色内心状态已见《西西人体秀》手法雏形—总之一切都是注意力和情绪操纵大师希胖最好的安排哪怕是一部被誉为技法探索的实验性的作品也让人心悦诚服
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